Yeah, we've all heard of 'Crazy Cat Ladies' but what about 'Eccentric Bird Ladies'?
No? Anybody?
Well, I personally know a couple eccentric bird ladies that are fabulous people and this piece was inspired by them, lots of wonderful supplies from
Alpha Stamps and a recent trip to the
National Gallery of Art where I saw an exhibit called,
Heaven and Earth: Byzantium Art from Greek Collections, it was amazing.
There were a lot of Madonnas and gold halos.
Just sayin'.
None of them had wings on their boots, though!
Supplies List:
Lady in Blue Collage Sheet
Victorian Fashions Collage Sheet
The Avenues, Home (paper used for skirt)
The Avenues, Treasure Scrapbook Paper
Monarch Brocade Varnished Paper
Monarch Cherish Varnished Paper
4 Inch Paper Doilies
Sheer Gold Organza Ribbon
Liquid Pearls-White Opal
Vintage Photo Distress Ink
Brilliance Pigment Ink Pad - Galaxy Gold
Copic Markers:
Madonna of the Birds Set
Mod podge
Aleenes Clear Gel Tacky Glue (great for sheer ribbon!)
Cardboard (used as the backing for the plaque)
TUTORIALS!
A little lesson in coloring the varnished papers
used in the Bird Madonna.
The first thing I did was cut the paper to the size of the plaque/cardboard I used and glued both pieces down, back and front. I sanded the edges, rounding the corners a bit to make them look a bit worn.
I inked the edges, first using the
Galaxy Gold and then
Vintage Photo. (Love these inks!)
I like the extra richness you get when you combine the two.
Then, using the Galaxy Gold, I inked generously around the area I want to have a little extra color.
I then applied the Vintage Photo over the gold. Keep in mind you are using a dark ink, so start with
a small area...you can always go bigger, but you can't go back if you cover too much!
It looks like a mess, I know! Quickly, before it has a chance to dry, take your old worn out gold pad (you can use any old gold pad for this) and rub the dark ink around.
The old pad will pick up the ink where it doesn't stick to the paper and you're left with a nice accentuated pattern.
Super easy and looks fabulous!
But wait, there's more!
How to do the doily halo. Those Madonnas at the museum were rockin' these things!
First, cover the doily back and front with a layer of mod podge. Do one side at a time, letting it dry before you do the flip side or it will stick to whatever you lay it on. A piece of wax paper works great for a work surface. Make sure it's completely dry before you move on.
Next, when you're sure of placement, coat the entire back side of the doily with mod podge, place it, press it down gently, making sure it's completely flat, and let it dry thoroughly.
Okay, this is the fun part!
A little bit about paint. I used Golden Acrylic paints because that's what I've got, but you can use any gold acrylic paint for this as long as it's relatively opaque. Like the one pictured on the upper left.
I used my finger for this (please excuse the strange gold finger in the picture)
but you can use a brush if you like. I just dabbed, rubbed and smeared until I covered
the doily pretty thoroughly. Try not to get gold paint on the background, but it's not tragic if you do.....it makes things more interesting!
Let it dry. Or not.
Sometimes I'm a little impatient.
Okay, now here's the part where I say you have to have a certain kind of paint.
See that tube of paint on the right hand side of the picture? (above the picture with the gold finger, ha.)
That is called Quinacridone Nickel Azo Gold. Oh, baby do I love this paint.
It's translucent and for that reason you can use this wonderful stuff as a second layer on top of any gold paint (and on lots of other paints, too) and it adds a richness and old world quality to whatever you put it on. I use it a lot. It's my secret ingredient in a lot of things I make.
I dab a little bit on the doily and kind of smudge it around. If it dries too fast for you, dip your finger (or your brush) in water -not too much- and it will spread a lot easier. You don't need a lot. A little goes a long way, and I didn't cover all the the gold paint with it. Just enough to make it look like it's aged in spots.
When you're satisfied with what it looks like, let it dry and carry on with your piece.
It's great stuff. Any time you want to add a little depth and richness to gold paint, this is the stuff to use.
Did I say I really love this paint?
I really, really do.
Note: This is not a paint that you can go to WalMart and get. It's a bit expensive. You can order it online and I have seen it at Michaels.
Dick Blick sells it for about $9.27 for a 2oz. tube. It's worth it!
And one more thing.........
Let's have a wee chat about Copic Markers.
I use Copics for lots of things, but today I'm going to talk a bit about how I used them in the Madonna.
Copics are alcohol based, permanent markers with nips at both ends. Many of the colors are translucent and can be used to juice up color on collage sheets and other ephemera. They are also great for toning down the raw, cut edges on collage images without the harsh line of black in markers.
In the Madonna, I've used the skin white to enhance the color on her cheeks, give her a bit of a shadow by her left ear and pink up her lips a bit. (I thought she looked a little wan) While I was at it I gave her a little shadow in her decolletage. Because every girl should have a little cleavage.
I used the leather marker to outline the birds on her shoulder and sleeve as I wanted them to show up, but I wanted a softer look than black. I was a little anxious that her birdcage hat wasn't going to show well against all that glorious gold, so I used the leather marker for that as well.
I also used it to color the liquid pearl 'leash' on the bird she's taking a stroll with.
The same marker is used to outline most of her body.
All the flowers and other birds I used the Brick Beige marker on....I didn't need them to 'pop' but I didn't want those white edges showing. The Brick Beige blends in well.
I used the Pale Aqua to make strips on her tights and to pump up the color in the bow at her breast.
Here's a tip about edging fussy cutting.
This little girl is a good example of a few delicate pieces that can be problematic to edge. The dang things want to bend and create problems!
A simple solutions is this:
Turn the piece over, place it on piece of scrap paper and run the fine tip of the Copic marker around the whole thing.
The ink is absorbed into the paper around the edge and eliminates the raw white bit. A word of caution; some papers are more absorbent than others and will soak up color beyond just the edge.
Test your paper before you begin to make sure the marker won't bleed into the image too much.
It helps to use a color that is close to what the front of the image has on it. I've been known to use four or five different markers on one image.
Experiment and find what suits you and have fun!
